“There are certain women,” Truman Capote wrote, “who, though perhaps not born rich, are born to be rich.” Barbara “Babe” Paley, Gloria Guinness, Marella Agnelli, Slim Hayward, Pamela Churchill, C. Z. Guest, Lee Radziwill (Jackie Kennedy’s sister)—they were the toast of midcentury New York, each beautiful and distinguished in her own way. Capote befriended them, received their deepest confidences, and ingratiated himself into their lives. Then, in one fell swoop, he betrayed them in the most surprising and startling way possible. Following the acclaimed publication of Breakfast at Tiffany’s in 1958 and In Cold Blood in 1966, when Capote struggled with a crippling case of writer’s block. While enjoying all the fruits of his success, he was struck with an idea for what he was sure would be his most celebrated novel…one based on the remarkable, racy lives of his very, very rich friends. For years, Capote attempted to write Answered Prayers, what he believed would have been his magnum opus. But when he eventually published a few chapters in Esquire, the thinly fictionalized lives (and scandals) of his closest female confidantes were laid bare for all to see, and he was banished from their high-society world forever. Laurence Leamer joins Norman B to talk about, Capote’s Women.
She was the last person to be hired at Andy Warhol’s Factory and she has written a book about her experiences. Natasha Fraser-Cavassoni doesn’t mind divulging she had an affair with Mick Jagger when she was a seventeen-year-old school girl. Ms. Fraser-Cavassoni isn’t one to hold back, in her new book, After Andy – Adventures In Warhol Land, she tells all. It’s a glitzy, fast-paced, juicy, gossipy, name-dropping chronicle. She saw firsthand the end of an era and the establishment of a global phenomenon. From behind the scenes disagreements and the assessment of his estate, which included Interview magazine and his art inventory, to the record-breaking auction of his belongings and the publication of his diaries. Natasha examines the immediate aftermath of Warhol’s death and his ever-growing impact. Natasha Fraser-Cavassoni chats with Norman B about her riveting eyewitness memoir.
It is 39 years on from Cocteau Twins‘ revered debut release, Garlands, now Robin Guthrie gives us, Mockingbird Love EP. This is the first new music from Guthrie since the Another Flower album with the late Harold Budd, released just days before Budd’s passing in December 2020. About his new work, Robin Guthrie says, “Of late I’ve been very focused on my instrumental music, which is increasingly an intense endeavor, all the more so as I don’t really share it with anyone. So here I am, finally, with some words about my next releases. ‘Mockingbird Love’, a four-track EP, is the first small collection of music that I have felt comfortable to release for a while. This is my October.”
The always astute Nancy Kells of Grimalkin Records alerted us to the music of (Eli)Zabeth Owens. Originally from the UK, the Richmond, Virginia-based artist says “They are a poet & producer constantly coming of age”. Owens not only makes extraordinary music (or sound-scapes), they also create exquisite videos to accompany each track on their album.
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It is 39 years on from Cocteau Twins‘ revered debut release, Garlands, now Robin Guthrie gives us, Mockingbird Love EP. This is the first new music from Guthrie since the Another Flower album with the late Harold Budd, released just days before Budd’s passing in December 2020. About his new work, Robin Guthrie says, “Of late I’ve been very focused on my instrumental music, which is increasingly an intense endeavor, all the more so as I don’t really share it with anyone. So here I am, finally, with some words about my next releases. ‘Mockingbird Love’, a four-track EP, is the first small collection of music that I have felt comfortable to release for a while. This is my October.”
The always astute Nancy Kells of Grimalkin Records alerted us to the music of (Eli)Zabeth Owens. Originally from the UK, the Richmond, Virginia-based artist says “They are a poet & producer constantly coming of age”. Owens not only makes extraordinary music (or sound-scapes), they also create exquisite videos to accompany each track on their album.
